If I have to start somewhere, and I do, it’s going to be the chair.
I’m starting with the chair because before the chair, there wasn’t nothing, but there was nothing great. There were places to sit, and they worked in the way that a handful of nuts works in the midafternoon, just to keep dinner at bay. There were places that held up my bones and muscles and ligaments, this structure that supports me, but they didn’t give much in return.
I sat because sitting was necessary and I wrote and edited because that was necessary too, with deadlines and publication schedules and everything that just has to get done. Now the time to be bound by time is gone, but something needs to take its place. I turn back to the words because I know them and I want them to be home.
But I’m not just mind and words spewing out through fingers, I’m this bag of bones and ligaments that need to assume a posture, they need to settle – I need to settle – and focus, dig into the visceral feeling, burp it out over this keyboard, stretch, and then go back with the technicians edge and polish it up.
Enter the chair.
The chair is a place to sit, but more than that. It’s a throne, a glorious place to be, a solid foundation that yields just a touch with the gentle kindness of a minor lean. The chair is a commitment to diligence and discipline. It has to be, because I’ve never spent this much on a goddamn piece of furniture in my life, and if it isn’t a commitment then it’s a warning sign of reckless behaviour.
Or is it symbolic, a gesture that I’m taking the work that I do while I’m sitting in it, myself included, seriously? Does it really need to be anything more than a chair, why must I justify the writing by a chair, and then justify the chair by writing? Aside from this – this vaguely chair-focused word-vomit – have I even written, or written anything worth reading? Perhaps this was all just a rotten idea.
Pause.
This is the process, it always is, and it always looks the same, or close enough to the last round that I can discern the pattern. Commitment. Optimism. That first creaking lunge, an adrenaline rush. Settling in. An ache, a distraction, heads buried in hands, doubt. Paranoia, questioning, fear, fuck it just run away. Or not.
The trick is to start, and if I have to start somewhere, why not here? So I tell myself, start with where you are. Start with where you will sit. Start with the chair.
Very nicely done. Great job!
Makes me think of Bird by Bird by Anne Lamott. We have to start somewhere! Great connection between our physical self, bones and ligaments, and our visceral feelings.
Oh, AnaChips, I’ve missed reading you! I must remember when I sit down to write that I am presiding over my people, master of my domain.